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Los Natas - El Hombre Montaña (2006)
Los Natas was formed in 1994 in the city of Buenos Aires, Argentina, by Sergio Chotsourian (vocals, guitar), Walter Broide (drum, backing vocals), y Miguel Fernández (bass), after a first lineup as a four-piece including singer Diego Porras.
In 1996 they record their first album, Delmar, which was edited and distributed two years later by the mythical Man's Ruin Records of San Francisco, California, supported by the label's owner Frank Kozic. However, the record that opened a way on the music industry for them would be Ciudad de Brahman [City of Brahman], recorded in 1999 on the United States. Produced by Dale Crover (Nirvana, Melvins) this records has would-be classic for the band such as Meteoro 2028.
Next record was Corsario Negro [Black Corsaire], edited in 2002, characterized by a heavy and dark atmosphere. Two years later they edit a new record, "Toba Trance". They were given total freedom to compose the album, and the result was a more experimental record, with incurtions of up to 20 minutes long.
Los Natas toured in the United States (1998/99/00) and Europe (2003/09), where they've shared stage with important bands of the genre such as Queens of the Stone Age, Nebula, The Men of Porn, Unida, Dozer, Circle, Colour Haze or Brant Bjork & the Bros, among others.
They also have done thematic gigs, called Viernes Verdes [Green Fridays], that has had 10 editions so far and it takes place in Buenos Aires's main theaters, the band plays while there are psychedelic projections in the background which gain such importance as the band itself. They also present in other provinces of the country and in numerous places in Buenos Aires.
The successor of "Toba Trance" would be El Hombre Montaña [The Mountain Man], launched in 2006. This album, also produced by Anderson/Claypole, had a heavier and rawer sound than its predecessors. It wa recorded in Buenos Aires and mixed in San Francisco.
Los Natas edit a new album in 2009, with the name "El Nuevo Orden de la Libertad" [The New Order of Freedom], containing ten songs. It was recorded in Buenos Aires and mastered in the United States.
In February 3rd of 2012 they announce they break-up through their Facebook page.
Review by Eduardo Rivadavia from AllMusic:
Quote:fter two albums, 1998's Delmar and 1999's Ciudad de Brahman, made up of competent, but seriously Kyuss-dependent stoner and space rock, Argentina's Los Natas definitively established their own unique identity with 2002's critically acclaimed Corsario Negro -- an often stark and mostly wordless Patagonian soundtrack built on songs resembling slow-advancing glaciers, their riff-blocks as dense as Andes Mountain strata compacted by untold eons. Then, there followed Toba Trance, which essentially extrapolated those panoramic songwriting tendencies while apparently satiating the band's interests in that creative direction. The next Los Natas album, El Hombre Montana, found them switching gears completely to embrace an astonishingly raw, loose, even ragged, brand of fuzz rock, so far removed from Corsario Negro as to be almost shocking. Yet, for the most part, it's a source of great relief to see that Los Natas stellar compositional and musical skills still manage to carry them through the day: whether pounding their way through a predominance of high-energy numbers ("El Bolsero," "La Espada in la Piedra," "El Soldado," etc.), detouring into bare-bones acoustic offerings ("El Camino de Dios," "Sigue, Sigue..." ) , or trudging closer to their slow burning, doomier natural element on rare occasions ("Humo Negro del Vaticano" "De las Cenizas, El Hombre..." ) . If all of the above reveal any notable weakness, it has to be Sergio Ch.'s somewhat limited range of vocal expression; a weakness he'd rarely had a chance to even test on those largely instrumental recent efforts, but which here is nevertheless remedied by his laudable insistence on writing Spanish lyrics, which lend the entire album an exotic flavor. And that, along with their innate talents, maverick mindset, and fearlessness about tackling a fresh approach to songwriting, ultimately guarantee another compelling outing for Los Natas, whose fans undoubtedly realize how precious these qualities have become in the 2000s decidedly impoverished stoner rock scene.Lineup:
Quote:Walter Brodie - Drums
Sergio Chotsourian - Guitars, Vocals
Gonzalo "Crudo" Villagra - BassTracklist:
Quote:01. El Bolsero
02. Amanecer Blanco
03. No es lo Mismo
04. Humo Negro del Vaticano
05. La Espada en la Piedra
06. El Ciervo
07. El Camino de Dios
08. De las Cenizas, el Hombre...
09. El Soldado
10. Lanza Ganado
11. Sigue, Sigue